There’s something about seeing emotions personified that helps remind you of what it’s like to relive those memories that you hold close. I guess it’s great for kids but looking at it as an adult provides a different perspective.
A child wrestles with her emotions after moving to San Francisco.
Since I first heard of the concept years ago, I put it in my mental calendar. I thought it would make for an interesting film. Back when I was an animation major, I had an assignment where I had to personify an emotion. When the first images of the emotions were released, I posted it to our animation group on Facebook because it was relevant. Seeing it now reminded me of it (I recall it was similar to Disgust, but more illness related).
When it came out to theaters, I wanted to see it with my autistic best friend. There was a bit of humor in it when coupled with the notion that all autistic people can’t express emotion and we were going to see a film that was about emotion. I tried my best to avoid reading spoilers but from my online friends (the majority of which are autistic), this came highly recommended. I went in with tissues in my pocket, hearing that it was going to be a tear-jerker. Sadly, no tears were shed on my end, something that really bugs me on a personal level because I wanted to feel the emotion at the point where everyone said it would be. I’m still a bitter about this but I won’t bore you with the details.
If it sounds like I’m going to repeat what you’ve heard or know about it, you’re right. After going for more than a year without a Pixar film, it was definitely worth the wait. The fact that we get two Pixar films this year (personally not sure about The Good Dinosaur as of this writing) really adds the icing on the cake. To be honest, I wasn’t a fan of the past three films of theirs as I was with, say, Ratatouille or Up. While it may be a return to classic Pixar, we are getting a third Cars, a fourth Toy Story, and a second Incredibles (the last is the only one of the three I’m looking forward to). With this and The Good Dinosaur, it’s a matter of savoring these original films before the sequels come in.
Judging by the crowd at the showing I attended, there weren’t many kids. I figured that would be the case as I was trying to figure out how this would be marketed for kids. One TV spot I’ve seen repeatedly introduced each emotion but ended the list by saying “And you know what sadness is.” What was meant by that line, I’m not sure. If I were a kid, I’d probably focus on the colorful emotions, possibly picking up on some of the humor. As I am, I was able to appreciate it on an immediate level. It also helped that I was dealing with some emotions prior to the screening and figured this would help me.
I’ve been a fan of Michael Giacchino’s work since I was introduced to him on LOST. This meant knowing that he has some heart-tugging pieces, like the death theme from LOST (most notably in the final episode) and the montage from Up. When it came time for the sad part, I recognized some of his traits and I was reminded of these scores. And yet, not a tear was shed. I figure that repeat listens will provide some closure as there won’t be any dialogue.
In the end, I wish I had felt all the feels, as today’s youth puts it. I do appreciate the fact that it’s OK to be sad, something that isn’t heard much. It’s actually comforting to see, especially in this new wave of kid’s media. That’s not to say that this was just a kid’s film, but rather that the message can be directed towards them. I’m definitely adding this to my collection, that much is certain.
P.S. I didn’t care much for the short. I expect it’ll be a nominee for Best Animated Short but I don’t expect it to win.