It’s that time of year again; romance is in the air and you’re in the mood to watch something fitting. Paris is lovely at night (and I can vouch for it), so why not see it from the comfort of your own home?
A screenwriter reflects on his life by taking magical midnight walks through Paris.
I can’t say I’m well-versed in Woody Allen’s work. I’ve only seen Annie Hall before this and that was some time ago; Manhattan is sitting on my shelf. My film club had scheduled this for the Valentine’s Day movie. I caught this with a mutual friend on Blu-ray and the format alone makes a big difference in how it’s viewed.
The thing with this film that I found was that it took its time to get you invested. I had read the description on the case and, after seeing the film, discovered that it was very vague and withheld one of the film’s major plot devices: time travel. Yeah, I didn’t realize that this was something until the first encounter with Hemingway and Fitzgerald. My friend and I thought it was just a strange occurrence after a night of drinking.
It was clear from early on that Gil’s company was not exactly the best kind of company to keep. I choked on their dialogue at parts because it was on the border of being pretentious. I’m not against having intellectual conversations but I enjoy them every now and then.
The cinematography is beautiful. Just looking at the color palette, there’s a nice warm feeling from the lights. Seeing it on Blu-ray has a better range of values and enhances the whole mood of film.
This was nominated for Best Picture, but lost to The Artist. From the nominees I’ve seen in that category, this was one of the better films. However, it seems like this was long shot and was used to fill in the rest.
At the end of the film, I tried to figure out who I would show this to in the future. I don’t know at this point. I’ll keep it in mind if and when the opportunity arises. I’d like to have some more of his films under my belt before I can recommend this. At least the trip to the Moulin Rouge isn’t as frenzied as the Baz Luhrmann version.
If you ever get the chance, go see Paris for yourself; it’s very lovely. This film is probably the next best thing.