This year was the year for me to familiarize myself with Wes Anderson’s filmography. I started the year with The Life Aquatic with Steve Zissou, revisited Moonrise Kingdom, stayed at The Grand Budapest Hotel, and met one quote-unquote Fantastic Mr. Fox. I saw this film over the summer and didn’t get around to reviewing it until now.
Three gifted siblings reunite after several years and deal with family issues.
I want to live in the Tenenbaum house, not necessarily with them. I’ve always liked really large houses since I was a kid. The floor plan that was included with the Criterion Collection print was very detailed, as usual with any Anderson work.
I know this sounds strange but I think there’s too much quirkiness in this film. Granted, each character has their own distinct traits but it doesn’t create a cohesive whole. Then again, the entire family isn’t really together in the traditional sense.
It was at a little more than an hour into the film that it started to lose steam. Then came Margot’s montage and the bathroom sequence. These are the two best sequences of the film in terms of telling a story. On the one hand, you have rock music playing over a series of life events (something that doesn’t come to mind when I think of Wes Anderson) and the other has mellow music with a serious course of action, coupled with some brief flashes of life.
Somehow, this is only one of two Wes Anderson films listed in the 1001 Movies series (the other being Rushmore which I have yet to see). I can’t say which is the better of the two listed but I will in the Rushmore review, whenever that will be. I think this was put on the list early on as a way to get some representation of his work. I expect that The Grand Budapest Hotel will be added to the list in time.
While it is considered one of the more popular films of Wes Anderson, it’s not one of mine.
1001 MYMSBYD selection